Doom Patrol isn't just the best superhero TV series right now, it's one of the best current TV series in general. The series' first season races to the. Editor’s Note: This whiskey was provided to us as a review sample by Doom’s. This in no way, per our editorial policies, influenced the final outcome of this review. If there was one industry that I never thought would develop a synergistic. 'Sigil' is the closest you'll get to a sequel from the original team. If you'd like your Doom sequels more traditional than Doom Eternal, your fix is at hand. Series co-creator John Romero has. An 18-year-old boy was killed and eight other students were injured when gunfire erupted at STEM School Highlands Ranch on Tuesday afternoon at 1.53pm local time. Police confirmed that the shooting was carried out by two people, one adult male and one juvenile. The Douglas County Sheriff's Office confirmed Erickson is the adult shooter. Issue 178, January 1977“LEMME OUTA HERE!!!”SYNOPSISThe Thing drifts in the Negative Zone after last issue’s defeat. He is only there for minutes before being pulled back into the Baxter Building and tied up again. Now all recaptured, the Fantastic Four are at the mercy of The Wizard, who decides to ransom them for a billion dollars. The Brute, introduced to the FF in the last issue, now shows himself to be the Reed Richards of Counter-Earth, and he can change from human to superhuman form at will. The City of New York is unable to pay the ransom, and so the Wizard flips the switch to kill the FF. At that same time, however, The Impossible Man, in a quest to try to find more TV shows since the programming day has ended, pulls a few fuses to see if he can make the TV play sitcoms. This depowers the machine keeping the FF entrapped and they escape. In the ensuing tussle, however, the Counter-Earth Reed–or Evil Reed–traps “our” Reed in the Negative Zone, on the pretence that the real Reed is the Evil Reed, and that he is the Good Reed.COMMENTARYThis issue is such a mess it’s hardly worth discussing it. A shame, since the missed opportunities for a much better story are signposted within the first two pages. A floating Ben Grimm drifts through the Negative Zone, untethered, but in full view of several alien beings, one of whom approaches him. Unfortunately for him, and the readers of this issue, he is pulled back into the plot left over from the last issue.So, instead of using the chance to tell a story in which Ben rescues himself from the Negative Zone and comes back to save the day, the writers of this issue double down on the inanity of the last issue, and essentially just do that story again. The break-out that occurred last issue doesn’t matter, nothing at all came of it but some useless dramatics, and The Wizard’s stupidity is on full display when he says that he is going to use the billion dollars ransom money to retire and keep working on inventions (what?). The purpose of those inventions? Why, to destroy the Fantastic Four, of course!These face-palming moments abound. The rest of the Frightful Four don’t actually want the money–in a fit of rationality, they want to destroy the Fantastic Four now. And The Brute’s revealed origin is not worth the price of admission. Although it is the origin of the character, as taken from Warlock issue 6 — which is not a bad storyline in itself — it is told in such a convoluted way that it’s hard to understand what is happening and what the motivations for the character of the Counter-Earth Reed is.This flashback also contains one of the most inscrutable footnotes of that decade. It seems that the editor is at pains to say that cosmic rays affected this different Reed differently, as we already know by reading just a few pages earlier. This information is actually already in the story, so why even mention it? Issue One Hundred and Seventy-Seven, Dec 1976SUMMARYThe Fantastic Four return to the Baxter Building in order to confront the three extant members of the Frightful Four, who are about to hold auditions for a fourth member. The Trapster is able to capture them and they are bound and forced to watch the subsequent auditions. Various colourful characters make their bids and then Tigra appears, posing as an applicant, but during her bid she intentionally releases Ben and Johnny. Now outmatched, the Wizard tells the rest of the applicants that anyone who can subdue the two members of the FF will have an automatic spot on the Frightful Four team. All applicants leave, except for one who reveals himself to be The Brute, a being at least as powerful as The Thing, and far more savage. While fighting, The Brute sends The Thing into the Negative Zone, as the Frightful Four recapture Johnnty and Tigra. The Brute then transforms into human form, to reveal that he is the Reed Richards from Counter-Earth. COMMENTARYThis issue feels like a sort of throwback to the Stan and Jack era of Fantastic Four, which is not a bad thing in itself, but it does seem a bit worn by this stage. Roy Thomas has shown himself to be a writer of deep character as well as nuance, but sadly his premise really lets him down in this issue. While there are deft touches to the characters, certain logical gaps are too much to overcome. One the one hand, it is interesting to conceive of The Wizard as a man who is technically brilliant, but whose intelligence does not extend to tactical or social situations. There’s a really nice discussion of The Wizard’s misogyny as a character flaw by his own teammates–whether it’s an inherent or learned trait–which gives an unpleasant character an added dimension of villainy, and that’s worth 10 cents right there. But it really doesn’t make sense that after he defeats the Fantastic Four he carries on with his plan to recruit a new member. But to what end? Never is it acknowledged that The Wizard’s ultimate plan has come to fruition–he has beaten the FF in their own home and he now has free reign over Reed’s workshop. This is not even acknowledged as an aside by any of the FF. Why doesn’t The Wizard immediately start pillaging? Sure, he’s got a blinkered, objective-oriented focus, but neither the FF nor his own team taunt him with his obvious success even when things head south for him.The recruitment drive is played almost entirely for laughs, although it is worth noting that Thomas later, in other titles, developed two characters who are still knocking around the Marvel Universe–Captain Ultra and Texas Twister. It’s also a good character and plot touch that someone like Tigra saw the open call for villains in the newspaper and decided to drop by on the off-chance that the whole thing wasn’t a hoax. Presumably, it could have been any superhero who had free time on their hands, it’s just that this time it happened to be her. And the fact that his downfall once again comes at the hand of a woman is another layer of gratification.The Brute is introduced as a character with a lot of promise, and one that could eclipse The Wizard and his team as a threat to the FF. As the comic points out, although not all the characters present in the issue know who he is, many readers would have been aware of who he is and how he raises the stakes for the FF. They have not met this threat–a dark version of their, arguably, most essential teammate–on an equal footing, and the next issue promises just that. Fantastic Four 176, November 1976SUMMARYBen Grimm has just been turned back into The Thing, and he’s not too happy about it. Just then, the spaceship that the Fantastic Four have been using to get back to Earth arrives at its destination. Ben attempts to stop it using the break, but he finds he is more powerful than before and he destroys it. The Torch is able to create a superheated updraft of air to slow the ship down as Sue protects it with her forcefield. The Impossible Man, mildly entertained at this, sets off to explore New York. He happens across the Marvel offices, overhearing Stan Lee berating the author and illustrator of this issue for not having a real-life story to print. The Impossible Man suggests that they make a comic out of him and demonstrates his powers, causing everyone to flee. The FF arrive just then and fight with him, causing chaos in the Marvel offices. Eventually Reed brokers a deal with Lee in which Impossible Man will get a comic book so that he will calm down. Lee later reneges on the deal, however. It is brought to the FF’s attention that the Frightful Four are holding open auditions at the Baxter Building, prompting the FF to speed back home.COMMENTARYThe natural inclination is to grade this issue in the context of all the others before it, but in doing so we miss the point of this issue–which is just to have a fun romp. Under normal criteria, this issue would rate pretty low, maybe a four or five. But if we just accept it for a bit of a comical peek beneath the curtain, I’d place this issue at an eight. So long as we don’t expect deep character motivations, developments, or revelations and no real plot to speak of, we can have a lot of fun with this issue.Because, let’s face it, the bits that ARE plot and character development are pretty weak. We see a little bit of frustration that Ben is The Thing again and a potted explanation of how it happened. There’s some ridiculousness with a spaceship, which is treated to be about as sophisticated as a subway engine. And that’s your lot.The virtue of this issue is that it really leans into the whole conceit that Marvel Comics is a place within the Marvel Universe, and it exists to print the true exploits of its creations. And instead of getting just a few pages of faces mostly in shadow, which is what we’ve seen in this comic series so far, we get full faces of a lot of the Bullpen staff, as well as a bunch of character interaction, and a few plugs for Jack Kirby’s 2001: A Space Odyssey adaptation–one of the industry’s hard-to-find little oddities. Impossible Man towering over Marvel production manager John VerpoortenFor people who are familiar with the history of Marvel at this time (and I recommend anyone who isn’t to check out Sean Howe’s excellent book ), there is a lot to take in. Many people are aware of the friction between Stan and Jack at this time, but it is true that he popped back into the Marvel fold after developing a lot of concepts at DC, such as his FOURTH WORLD masterwork. While it is not likely that they spent much time in the same room together, Jack did pencil a bunch of covers, for this series and others, as well as some adapted and original concepts, among them The Black Panther relaunched series.In jokes abound, such as the door of the editor’s office which has all the past names of editors scratched out on it, even an incomplete “Roy Thom–“, who was ostensibly replaced before they could finish writing his name on the door.A fairly unabashed slice of indulgence, but ultimately it doesn’t weigh things down.Evaluation: 8/10. Issue One Hundred and Seventy-Five, October 1976“ I am pleased that you have chosen to make a stand. Most worlds fall beneath the scythe with an ease fills me with ennui!“SUMMARYThe High Evolutionary tries to defend Counter-Earth against Galactus, but Galactus sends him to the Negative Zone. The Fantastic Four then attempt to stop Galactus, but it is only when Sue Richards arrives back and tells him about a planet willing to be sacrificed–the one that she visited–that he stops. ![]() As he travels across the universe, the High Evolutionary returns. Galactus attempts to devour the new planet but when he attempts it he seems to fall back and his head grows so large that it eventually dissipates into energy. Sue then reveals that she was the Impossible Man and that the planet was his own planet and the people on it, now a hive-mind, were amenable to being eaten because the mind lived on in the Impossible Man. As the story finishes, Ben Grimm turns back into The Thing, bursting out of his Thing suit, as a result of a blast that Galactus hit him with earlier.COMMENTARYThe last issue of this disappointing storyline is a little better than the ones before it, but only by a little. John Buscema fusing his own style with Jack Kirby’s.It helps that John Buscema is at the top of his game, his art displaying a fluidity that is rare in comic art of any age. From the credits it appears that he inked his own pencils on this issue, and his figure work has never looked more relaxed and confident.The meeting between High Evolutionary and Galactus is an interesting one and the dichotomy of creator/destroyer has some good mileage in it, but sadly it fails to deliver. Too much space in this story has been taken up with frivolity, it would have been great to have had a full-length conflict and discussion between these two characters, but the issue is more interested in other things–but not more interesting other things, unfortunately.Ben is returned back to his rocky form, which was inevitable, and actually kind of a narrative relief since that suit didn’t really make any sense (again, why not make lots?), and the Impossible Man is introduced in a very dark fashion. This would have been more thrilling if it had been shown in a more dramatic fashion, but an off-hand narration really undercuts the tension and drama of what is a pretty-far-out-there idea for a mainstream comic: a race of super-powerful creatures who have self-evolved into such a high state that they have achieved a kind of transcendent apathy, to the point of suicide.But, bizarrely, this most interesting plot thread was the one that was spent the least amount of time on, perhaps because it’s Sue’s, we want to say cynically. It’s so common for her to get short shrift, no matter what the creative team, it seems.EVALUATION: 5/10. Fantastic Four 174, Sept 1976“ Damn Galactus! So, he would consume my Counter-Earth, would he? Use it — as he’s used countless other worlds to quell his cosmic hunger for a passing moment! I must challenge him, then. Challenge him to a fight to the death!“SUMMARYSue is left alone with the High Evolutionary, and seeing that the other members of the Fantastic Four are in peril, she uses the teleporter to go and help one group. However, she inadvertently sends herself to the third, seemingly barren planet where she makes a shocking discovery. Meanwhile, Reed and Ben are on the robot planet of Mekka, being held prisoner. Ben escapes his bonds by slipping out of the robotic Thing suit and during the ensuing fight against Torgo and the other inhabitants of Mecca, Reed throws a master switch which causes all the robots to deactivate. He then turns it back on and Torgo allows the two of them to leave. Meanwhile, Johnny and Gorr are prisoners on a planet with a society almost exactly like medieval Europe. Gorr enters a tournament fight and a dragon breaks out of a cage and is killed. This is revealed to be the true native of the planet and everyone else is a Skrull. The Skrulls leave the planet and Johnny and Gorr wait to get picked back up by the High Evolutionary, but the appointed time comes and goes. Meanwhile, back at Counter-Earth, the High Evolutionary has decided that he must physically defeat Galactus and grows to his size in order to challenge him.COMMENTARYThis is a true continuation of the disappointing last issue and it has all the flaws of that issue. Once again there is a laborious amount of back story which completely ruins the momentum at the front half of the issue. One possible explanation for this is that Stan Lee once said that every comic book is somebody’s first comic book and so each issue needs to be completely accessible to a new reader, and for a time this was enforced by editorial. And you can see the obvious weaknesses of this idea when you reach issue 3 of a 4-part story, and also a story that is dependent on continuity from other titles in the past. Certainly one of the most surreal frames to appear in The Fantastic Four. And bear in mind that this is no dream sequence–this is an actual plot moment.The little side-quests that the FF engage in are almost totally nonsensical. Even in the 70s it’s ridiculous that a planet of robots would have a master control switch just randomly accessible to anyone walking by in the open. It’s not even a metaphor for anything. And there’s no excuse for whatever craziness allows Ben Grimm to just step out of his suit.And as for Johnny’s mission I can’t even. Google open link in new tab. It’s a nice twist that the dragon happens to be the actual native inhabitant of the planet, but there’s nothing that comes of that. And the Skrulls just all call it quits after revealing themselves–which no one forced them to do. It makes no sense.And all of it, all of it, is made pointless by the comic’s last panel, that of the High Evolutionary about to get into a dust-up with Galactus. If the High Evolutionary was just going to wade into a physical conflict, then why go through all the motions of finding an alternate solution? He didn’t even wait to find out how those panned out. Obviously the resolution of the plot is going to hinge on whatever it was that Sue found on her supposedly barren planet and it’s therefore annoying that we aren’t given even the slightest bit of information to go on with that. It’s not tension building, it’s exasperating, because it means that there’s no plot-worth to this issue at all.EVALUATION: 4/10. Fantastic Four Issue 173, August 1976“My reasoning was simple, apeling. It is whole worlds I must devour, one life is worth nothing to me. To one who hungers mightily, what good is a meagre crumb?“SUMMARYBen Grimm confronts Galactus, who announces his intent to consume Counter-Earth. Running out of oxygen, he is rescued by Reed and drawn back into the artificial asteroid where the High Evolutionary has his base. Reed negotiates with Galactus–if he can find a substitute planet where every being is willing to sacrifice themselves in place of Counter-Earth, Galactus will consume that planet instead. Three contenders are found and the Fantastic Four split up. Ben and Reed go to Mekka, a robot planet, where Torgo (introduced in ) lives. They quickly discover that the planet will not sacrifice itself and are prevented leaving in case they disclose the planet’s location to Galactus anyway. Johnny and Gorr arrive at a planet which bears a striking relationship to Earth’s Medieval period and, while trying to rescue a princess from a dragon, are both hit from behind and captured.COMMENTARYThe opening pages of this story promised an exciting change-over: Roy Thomas back as full writer, and fan favourite John Buscema back on as artist. And, yes, that’s Jack Kirby illustrating the cover as well.Alas.Although there are two bright spots in the tale’s narrative, there is no inspiration. Nine of the nineteen pages of this issue–almost half–are devoted to rehashing the story so far, whether that be of recent issues of the FF, other of Galactus’s recent appearances, or the past history of Counter-Earth and Galactus. Even at the time this story was written–a time where back issues or histories were not as universally available as they are now–this is way overdone. The plot is at a dead standstill for the first half of this issue and the second half is concerned with an obvious fool’s mission to find a planet just as life-inhabited as Earth where every sentient creature is willing to die in place of a previously unknown planet. Halfway through his mission, Reed “smartest man on the planet” Richards admits that he hadn’t really thought the whole thing through. Sue gets sidelined again, when Reed, literally, pulls rank on her.Ultimately it’s an issue of little consequence. It’s nice to see Torgo again, but he doesn’t add much to the narrative. Galactus’s lore is not expanded upon, despite his lengthy dialogue, except that he now can speak telepathically with anyone. This serves no purpose except as an expedient to allow everyone to talk in space.EVALUATION: 4/10. Issue One Hundred and Seventy-Two, July 1976“He’s here! I can hear his voice inside my head! Galactus!“SummaryThe Fantastic Four are interrogating Gorr, the Golden Gorilla. As revealed last issue, he has come to warn them about Galactus’s imminent arrival. Gorr escapes and steals the Fantasticar, taking it back to his landed spaceship. The FF pursue him, following him into the ship, which suddenly takes off. Now in space, Gorr confronts them, disclosing that he intended to trap them and bring them to Counter-Earth, which is Galactus’s truly intended target.CommentaryAnother confused and frankly uninspired issue. Not that there isn’t anything to enjoy. George Perez is a very able illustrator–he is able to make a very ridiculous character, Gorr, seem realistic and even menacing. He has also provided us with two very compelling double-page spreads. Stereo mix download windows 10. John Buscema’s name is intricately linked with this title, but Perez’s deserves equal recognition for his energy and dynamism–and likely would have if he hadn’t developed into an even more astounding artist into the years to come. Sue Storm also has a moment of protective aggression when Reed is threatened which is exciting and it’s a shame that these moments are so infrequent.But there’s no getting around the issue that a great deal of this issue is recycled. Far beyond the fact that there is a full page recap of the last issue, as well as a three-page history of the High Evolutionary and the Counter-Earth, this is the third time that Galactus has appeared in the Fantastic Four since his introduction, and even his herald is a recycled character from Thor. Gorr stealing the Fantastic is an idea that was last seen only two issues ago–an event so strikingly unoriginal that even one of the characters in the story comments on it. Issue One Hundred and Seventy-One, June 1976“Anyway, I’m sure the police can handle that overgrown ape, soon as they can get some heavier guns. At least — I hope they can!”SUMMARYThe Fantastic Four are training in the Baxter Building. Ben and Reed are testing out the exo-suit that Reed designed, and Sue is practising her ability to use multiple invisible shields at the same time. Ben exhibits frustration at the fact that he is no longer as strong as he used to be and that there are so many other super-strong individuals around. Meanwhile, Johnny is taking Frankie Raye out to the Central Park zoo, when an apparent spacecraft crash lands not too far from them. Inside of it is a golden gorilla that, when released, begins to grow and attack those around him. Johnny begins to confront the beast as the Human Torch, but he backs off when he remembers his vow to give up super-heroics. Now larger than most of the buildings around him, the giant ape spots the Baxter Building and heads for it. As he passes the 38th floor he sees Susan Richards in the window and predictably grabs her, taking her to the roof. The rest of the group engages the beast, attempting to free her, although she manages to free herself in time. One By One Doom Song 1 HourJohnny arrives, realising that he can’t stay away if his family is in danger, and with a combination of his and Sue’s powers, they manage to calm the beast which also has the effect of shrinking him. Now at normal size, Reed studies the strange simian, who awakes and tells them his name is Gorr and that he has come to warn them about Galactus.COMMENTARYThe publishers of DC Comics once noticed that any time there was a gorilla on the cover of a comic–or if the main character was crying on it–then the sales for that issue spiked. Pressure was then put on writers and artists to create stories that contained one of these two elements. In this case however, it’s more probable that the staff at Marvel were attempting to cash in on the anticipated release of Dino De Laurentiis’ King Kong (1976), which was building itself up as THE motion picture event of the decade, the production of which could have turned into as big a tragedy as the story itself depicted.In any case, this is an exceptionally uninspired issue. Even Roy Thomas’ knack of turning a clever tale from a stock premise fails him here. There seems little point to the conflict at all. It manages to bring a little bit of character from some of the participants of the battle, but not much. Johnny wrestles with his conscience in battling an immediate threat when there’s no reason that he should. We are not on his side and don’t understand his quibbling at leaping into the fray, particularly when it is so out of character for him to back off. Some melodrama is supposed to be had with Frankie Raye, but she comes off as fragile and reactionary in this episode. Ultimately she just wants Johnny to run and hide with her, which doesn’t make her an attractive foil. Stay gold, monkeyboy. Doom One By One SideStay gold.Sue keeps getting backhanded by the creators of this series. First she is shown in this issue as expanding her powers and abilities, and even hitting back at Ben for his sexual prejudices. But next she is seen in a ridiculous pink apron, berating Reed for not spending time with her. Moments later she is snatched up by the now Kong-sized gorilla and made at once a symbolic plaything as well as a treasure to be recovered. Eventually she frees herself, not needing to be rescued, but ultimately in this issue it’s been one step forward, two steps back, and one step forward again–netting no gain.And as for the issue’s final twist, it completely trivialises all the action in the issue. If the ape came to warn them and ask their help–what was all the rampaging about? In this issue he managed to do as much destruction to New York as Galactus’ first visit did.Also, go back in this issue and see how many characters are sweating in it. What’s that about?EVALUATION: 4/10. Fantastic Four Issue One Hundred and Seventy“Alicia guessed my little secret too late to do you any good! Once I have my little puppet in my hands again! Now, Power Man, now!“SUMMARYReed’s surprise is revealed to be a “The Thing” suit which is calibrated specifically for Ben’s body, and allows him most of the strength that he enjoyed in that form. He puts it on and gives it a quick test. Then they realize that Alicia Masters is missing, and they deduce that she must have figured out who was behind the mind control of Luke Cage. Knowing this, Ben and Reed also deduce who it may be and so they head to the same location in the old Fantasticar. Skype phone without pc update. Alicia has gone to “a certain maximum security prison not too far away”, where her step-father, the Puppet Master, is being held. After an investigation by Alicia’s deft fingers, she discovers the hiding place of the special models that he uses to control people. Doom Song One By OneHe grabs the statue of Power Man to summon him and he arrives and carries the Puppet Master off in the new Fantasticar, just as Reed and Ben arrive. They fight, and in the course of their battle, the statue of Power Man falls into the ocean, releasing its control over Luke Cage’s mind. As they all fly back home, Ben contemplates his relationship with Alicia and decides that, since he is able to retain his human form, it may be time to propose to her.COMMENTARYEven though the plot is told in pretty broad strokes, there are some nice subtle nuances which are coming to characterize Roy Thomas’s run on the title. That said, the complete recreation of Ben’s powers in a suit designed to look exactly like his old form is outright implausible, especially coming so closely after his reversion. A power suit This seems like such an absurdly useful item, it’s a wonder that Reed hasn’t made more of them–not exactly mass produced them, but made more than one, at least. It’s an outlandish solution to a problem that didn’t need to exist in the first place. There are so many character opportunities for Grimm outside of the FF, and so many opportunities to see his replacement(s) inside the FF, this immediate backtrack feels unsatisfying. And that’s not to mention the tension that we’ve lost with a lot of Ben’s character and his internal character now that he can have super-powers and be a normal person at the same time. Classic Luke CageThat said, in the last page we see him having a very real internal struggle where he questions his relationship with Alicia following the conflict she just faced with her father. This is definitely a character development that we want to see pay off, and why wouldn’t it? Reed and Sue famously courted and within the pages of the Fantastic Four, as did.As for the Puppet Master, it’s nice to see him return to these pages, and it is natural that he would plot this kind of escape, even if it doesn’t make sense that he would know that Power Man would be able to help him–if Ben didn’t work, why not choose Johnny?On balance, the good outweighs the bad and this is an enjoyable issue.EVALUATION: 7/10. Fantastic Four 169, April 1976“Somethin’– somebody in my head! Grabbin’ hold of my brain–hard! Gotta– fight back! Gotta–got– to– got to kill! KILL!“SUMMARYBen Grimm is wallowing in a bar, lamenting the loss of his powers and also the fame that came with them. A lady in red accosts him, leading to a bar fight, which Reed and Johnny break up, intimidating the brawlers with their powers. They bring Ben back to the Baxter Building where Luke Cage has been talking to Susan, Alicia, and Franklin. Suddenly, Luke experiences some sort of mind control and he turns on the women, who fight him back just as the rest of the Fantastic Four arrive. They attempt to restrain Luke, but he escapes, heading towards Reed’s lab where he starts trashing the place. The FF chase after him and he escapes in the Fantasticar, referring to an unfinished mission which even he doesn’t know the object of. Back in the Baxter Building, Reed unveils a secret project in an armored room, which he reveals to Ben contains–The Thing!COMMENTARYThis is another nice break in pace from the standard Fantastic Four story. Doom One By One WayPerhaps an unusual number of FF comics start in bars, but the difference with this one story is that it is six pages before a super-powered person shows up. Rich Buckler seems to improve with every issue, and here he is able to convey a seediness which is almost Kurtzman-esque in its grotty vitality. A good use is made of flashback panels as Ben, fighting as a human, can’t help but thinking back to all his superpowered fights, which effectively communicate the feeling of loss of his powers that he feels to us, the readers.There is also a nice scene with Power Man and Sue playfully teasing each other. Their light humour very nicely counteracts the serious and conflicted scenes we’ve just seen, and it’s rare how often we see team members getting along with each other.And it just makes the development of that scene more tragic as Luke loses control and starts tearing up the place. And as for the reveal, it’s certainly a twist that makes us want to read the next issue. Even if it does mean that Luke’s tenure is going to be cut short. He’s an interesting character and has already added a new dynamic to the team, even as he fills the same space that Ben does. He deserves a longer shake on the team.EVALUATION: 7/10.
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